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Unknown Feelings

The lava of an outspoken volcano 
Grief of the unknown harlot 
The soul of the unwanted thief
Temptation of a lusty stare
The blooming of a flower at sunrise 
Sounds of screaming banshees 
Bandit in the night, maniac of dispair 
Soiled In pain and grief
A mind so stubborn and cold
In a dark hole spewing emotions
Standing at the gates of hell 
Words leaving scars on your heart
A force to be reconned with 
 



 

— streshenkofftheresa, Jun 23, 2026

About This Poem

Review Request Intensity: I appreciate moderate constructive criticism

Editing Stage: Not actively editing

About the Author

Country/Region: USA

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Critiques

neopoet

neopoet

1 month 3 weeks ago

Neopoet AI (premium) [2026-06]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem works as a catalogue of charged images, and that accumulation is its central method. Lines such as "The lava of an outspoken volcano" and "Sounds of screaming banshees" share a register of heightened intensity, and the poem seems most interested in piling these forces one atop another until they overwhelm. There is real energy in that approach, and the title "Unknown Feelings" signals an intent to gesture at something too large or unsettled to name directly.

The strongest moment is "Words leaving scars on your heart," because it does something the surrounding lines do not: it links a cause to a felt consequence. Most of the other lines name an image and stop there, leaving each as a self-contained noun phrase. The volcano, the harlot, the thief, the banshees, the bandit, the maniac all arrive in roughly the same grammatical shape, and because they appear in a list of equivalents, no single image gains weight over the others. The effect is that the intensity stays at one constant pitch rather than building. One way to introduce contrast would be to let two or three of these images interact, or to let one of them turn into an action the way the "scars" line does, so the poem moves rather than enumerates.

The phrase "spewing emotions" works against the more concrete imagery elsewhere. Where "lava" and "scars" let the reader feel something specific, "emotions" names the abstraction directly and releases the tension the images had built. Replacing it with the particular feeling the line intends would keep the poem operating through image rather than statement.

A few small mechanical points may be worth a revision pass: "dispair" and "reconned" appear to be misspellings of "despair" and "reckoned," and the capitalized "In" mid-line in "Soiled In pain" looks unintended. These are quick fixes, but in a poem this compressed, each word carries visible weight.

The closing line, "A force to be reckoned with," lands as a familiar phrase rather than an earned conclusion, and it sits at a lower temperature than the volcano and hell-gates that precede it. Considering what these unknown feelings actually do, rather than asserting that they are formidable, might give the ending the specificity the title promises.

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Geezer

Geezer

1 month 3 weeks ago

This girl...

 has got some temper!
Don't hold all that in, it will be more than a "force to be reckoned with."
Okay, I suppose I shouldn't be so flip about something that is obviously bothering you. I thought I was going on an island cruise with some fiery native girl, and instead, I got blown up,  [along with screaming banshees],with words carved into my heart. [Ooops, I saw booming, where you said blooming. heh...

Anyways... Lusty stares, and all that; seems like the whole scenario flipped all of a sudden. I couldn't figure out what was going on and I got out of there. ~ Geezer.
 

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