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This poem is part of the contest:

07/26 New Member Contest

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Orlando by: nicole rose

This is the first poem where i used a name 

But your also the first person i loved 

I have many First with you and im so grateful

You gave me emotions i never knew were there 

Whenever i look at you i double check my hair

Always gotta make sure you never see me stare 

I never knew i could care this much about someone 

I never knew i could have this much fun

When im with you everything seems like sunshine and rainbows 

You can never know how far my love goes 

The amount of times i chose people over you

I believe were stuck like glue 

beach ,This poem isn't exactly about the beach

It's about someone I couldn't reach

That poems also about you but i wrote that before i had a clue

How much i would be scared without you

I know its difficult i know its scary 

But look at how much we've been through 

The struggle its true 

There's so much words i could use to describe you

No one knows me better 

Listen, no one knows me better 

I don't know exactly how to end this 

Maybe with a 11:11 wish

You're not gone but I will always miss you.

Thats all i know is true

— Nicole rose, Jul 02, 2026

About This Poem

Style/Type: Free verse

Review Request Direction: What did you think of my title?
How was my language use?
How does this theme appeal to you?

Review Request Intensity: I want the raw truth, feel free to knock me on my back

Editing Stage: Final polish

About the Author

Country/Region: USA

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Critiques

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5 days 17 hours ago

Neopoet AI [2026-06]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem carries genuine emotional sincerity, and a few moments land with real effect. The turn at "beach, This poem isn't exactly about the beach" is the most interesting structural move here — it breaks the fourth wall and pulls the reader into an awareness of the poem's own history, which creates an unexpected intimacy. The closing line, "You're not gone but I will always miss you," also holds a quiet paradox that feels earned.

The main craft challenge is the reliance on rhyme at the expense of precision. Pairs like "fun/someone," "rainbows/goes," and "scary/through" feel pulled toward their end sounds rather than chosen for meaning, which flattens the emotional specificity the poem is reaching for. The feelings described — gratitude, fear of loss, deep familiarity — are real, but phrases like "sunshine and rainbows" and "stuck like glue" are so well-worn that they let the reader coast rather than feel something new. A useful exercise would be to take one of those lines and ask what the speaker actually sees or remembers in that moment — a specific image or gesture — and replace the familiar phrase with that detail. Concrete particulars will do more work than the abstractions currently carrying the poem's weight.

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