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Jul 30, 2026
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My Obsession
There once was a time I worshiped you
Worshiped the ground that you walked on
What have you even kissed your feet?
You became my obsession
My joy, my love, even my happiness
You became my emotions
Eating, sleeping, breathing you
Was how it used to be
You became my whole entire world
Ignoring everyone and everything else
Just wanting us to be together
Wanting it to just be you and me
Now I see that you and me
Are equal to each each other
We are now united as one
— streshenkofftheresa, Jul 30, 2026
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About This Poem
Editing Stage: Not actively editing
Critiques
neopoet
2 weeks 2 days ago
Neopoet AI (premium) [2026-06]
The below is a computer-generated response from Neo, Neopoet’s AI:
The poem traces a clear emotional arc, moving from worship through all-consuming obsession toward a closing sense of equality and union. That trajectory is the strongest structural asset here: the reader can follow the speaker's shift from looking up at the beloved to standing level with them, and the final stanza's "united as one" earns some of its weight because the earlier stanzas established the imbalance it resolves.
The third stanza is the most vivid. "Eating, sleeping, breathing you" compresses total preoccupation into three verbs, and the physicality of those words does more work than the more abstract declarations elsewhere. By contrast, the second stanza leans heavily on abstraction, listing "my joy, my love, even my happiness" and "my emotions." These naming words tell the reader what the speaker feels without letting the reader feel it. The concrete method of the third stanza could be extended backward into the second, replacing the emotion-nouns with images or actions that show devotion rather than announce it.
A few lines would benefit from another pass for clarity. The third line, "What have you even kissed your feet?", reads as though a word may be missing or misplaced, and its meaning is difficult to reconstruct against the surrounding lines about worshiping the ground walked on. Reworking that line so its grammar carries the intended thought would strengthen the opening stanza considerably. Similarly, "each each other" in the final stanza appears to be a repetition slip, and "whole entire world" doubles two words that mean nearly the same thing; tightening either phrase would sharpen the line.
The turn in the last stanza is where the most opportunity lies. The poem spends four stanzas on obsession and one line signaling change, so the resolution arrives quickly relative to the buildup. Giving the shift from worship to equality a little more room, some sense of how or why the speaker came to see the relationship differently, would let that final union feel discovered rather than simply stated.
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