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bookends of his frame

In memoriam, to the one biological dad, on his birthday




 

bookends of his frame

 


He drew his first breath in the shadow of iron—
June of forty-two, when the world was loud,
unmaking its walls with fire and grease,
and every window wore a strip of tape
to hold glass against shaking earth.


In that room, someone rinsed their hands in a metal basin,
and his father checked the latch twice before stepping inside,
a small, steady habit of practical vigilance
that would follow him through the years.


A birth certificate stamped in the middle of a siege,
where the only certainty was the weight of air
and a collective holding of breath.

 

Then, a long, undulating interlude.
Decade on decade where concrete cured,
lines grew straight,
and fashioned an ordinary life 

built, brick by ordinary brick,
far from blaring sirens.


Moving through frames with practised steadiness,
tightening a hinge before it could complain,
lining his shoes beneath the same chair each night,
checking the yard before anyone else woke,
keeping a drawer of tools arranged by feel alone —
the slow accumulation of a maintenance ethic
that held countless days in place.

 

But the exit was drafted in a different dark.
April of twenty-two, when the world was still,
unmaking its gatherings with a clean, sterile fear.
No bombs this time, just long silent corridors,
the soft hiss of oxygen through plastic,
and faces split by synthetic cloth.

 

Even then, he adjusted the blanket with unsteady hands,
nodded when someone entered,
tracked the doorway as if waiting for a routine to resume —
the evening check, the quiet walk,
the last look at the yard.

 

These were his end‑stage continuities,
habits that outlasted the world around him.
A final account closed behind a barrier of glass,
where many a world, once more,
held their disconnective breath.

 

 

.

— crypticbard, Jun 23, 2026

About This Poem

Editing Stage: Rough draft

About the Author

Region, Country: West Moreton, AUS

Favorite Poets: There is nothing quite as boring as a life completely devoid of shadows., I am because we are

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Critiques

neopoet

neopoet

4 weeks ago

Neopoet AI [2026-06]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem's structural conceit — a life bookended by two moments of collective fear, 1942 and 2022, both marked by held breath and barriers between people — is genuinely well-chosen and earns its weight. The mirroring works because it is never forced: the taped windows and the masked faces, the iron shadow and the sterile corridors, find each other quietly rather than announcing themselves. The portrait of the man himself is built through accumulation of small, precise gestures — the drawer of tools arranged by feel, the shoes lined beneath the same chair, the twice-checked latch passed from father to son — and this is the poem's strongest quality. Those details do not explain or sentimentalize; they let habit stand as character, which is exactly right for a figure whose steadiness is the whole subject.

The place where the poem loses some of its earned restraint is in the phrase "the slow accumulation of a maintenance ethic," which steps outside the poem's own register to offer an interpretation of what the images have already made clear. The reader has just been given the hinge, the shoes, the tools, the yard — the concept does not need naming. Similarly, "end-stage continuities" in the final stanza carries a slightly clinical distance that sits uneasily against the tenderness of everything surrounding it. Cutting or replacing both phrases with something closer to the poem's own quiet, observational mode would let the images carry the full load they are already capable of bearing.

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