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Platitudes

Platitudes

Goodness goodness, golly golly, goodness golly gee
Platitudes have never been a worry much for me.
It's not that I stealth’ly plot to roil your gentle soul
Nor look for those subtle flaws on which I might extol;
Perhaps it's that I'm lazy, as lazy as can be
And can't muster the concern, nor spare the energy
Engaging in sad panic, or bright imagined hurt,
To wail, cry, and paint myself, with shite encrusted dirt.
Or perhaps, the theory goes; the theory dear to me,
I merely can't abide all the whining that I see.

Goodness goodness, gracious gracious, goodness gracious me
I must admit this whining, remains a mystery.
This never ends, this parade, parade of wretchedness
Killing hope and confidence and always to excess.
I simply have to wonder, wonder and speculate
Why drive for grief and anguish and slip'ry sided hate?
Is there a need, a need so dark, dark and shut away
That fills your soul, your rancid soul, with rot and decay?
Why manufacture failure, failure for all to see
Why work so hard to slay delight and breed misery?

Goodness gracious, golly gracious, gracious gracious gee,
It all seems barely worth the fuss, this tired misery.
What do you gain, what do you keep, what is your reward?
What monumental payback, results from this accord?
What des'prate motivation, could ever justify
This rampant self destruction, this plucking of thine eye?
P'r'aps you'd best not answer, my concern is feigned at best,
I'd hate for any trouble, to be at my behest
For truth be told, truth that is, free from duplicity,
Platitudes have never been a worry much for me.

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Ignore this part at your leisure, it explains why I wrote the poem and what I was attempting.

Perry/skumpfsklub had written a very good comment on repetition and Jess/Infinite Dwarf had written an excellent capture of my general attitude so I decided to combine the two.  For this piece I deliberately chose an uneven meter/foot  - 13 syllables per line.  Why?  No good reason, mainly because I wanted to.   I also decided to deliberately pursue a sing-song pattern of AABBCCDDAA, thus, hopefully, adding an air of incredulity to the message, especially with the, let's admit, silly opening lines.

I started this about a week ago which is about how long it normally takes me to write anything but a current (6/22/2009) discussion makes this piece more timely than intended.

Structurally this piece is sound only in the gross syllable count and the rhyme pattern.  It fails on exact pacing as the mood and repetition violates any internal consistency but, as a piece that is, at best, cocky, I believe it works as both admonition and "bite me."  Folks who know me will not be surprised.  Newcomers to the site may derive a negative impression of me. 

It's deserved.

— Pugilist, Jun 22, 2009

About This Poem

About the Author

Region, Country: Jacksonville area, FL, USA, USA

Favorite Poets: Keats, Kipling, Carroll, Yeats, Tolkien, Shakespeare

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Critiques

infinite_dwarf

infinite_dwarf

16 years 11 months ago

Hear hear

The sing-song rhythm and tempo could definitely be heard. Extra points on being able to adhere to a set format, too. I absolutely love the alliteration. I'll be honest with you - I couldn't stop laughing. Thank you. ~Jess K. ----------------------- "Flying so high, trying to remember How many cigarettes did I bring along? When I get down, I'll jump in a taxi-cab Driving through London-town to cry you a song..." - Jethro Tull
Geezer

Geezer

16 years 11 months ago

I too thought......

I too, thought it was pretty #%^&ing funny, thought you were punch-drunk at first! You ain't the only one, it's just that nobody else will admit to it. We all have those moments,and then think who gives a shit, 'bout somebody who doesn't give a shit? Geezer.
Jonathan Moore

Jonathan Moore

16 years 11 months ago

You're both very kind

And I appreciate your embracing the sense of humour intended as I know not everyone will do so. --Jonathan Annoying the world, one person at a time (Group discounts available)
Jonathan Moore

Jonathan Moore

16 years 11 months ago

Line 9

Line nine, second half, returns to the original phrasing. "Encrusted" was the word I wanted to use but I needed to cut a syllable so made do with splattered which has a softer meaning. The reasoning is that originally the connection word was "or" indicating choices and in that case the rhythm of "x or y or z" was smoother and more forceful than the rhythm of "x, y, or z." But then I made the connecting word "and" to indicate a cumulative effect which added intensity to the line and, upon a re-read, I found that I could construct an "x, y, and z" set up and bring back "encrusted' to add to the power of the line. Let's admit it, "encrusted" give a completely different mental picture than "splattered." So, there's the explanation, any thoughts are appreciated. Oh, and just to be clear, I work extremely hard to get as natural a flow as possible within the constraints of structured verse. This little incident should explain some of why it take me weeks to write a poem. --Jonathan Annoying the world, one person at a time (Group discounts available)
infinite_dwarf

infinite_dwarf

16 years 11 months ago

Jon

I'm glad you were able to make 'encrusted' work after all; it does give a better image. We wouldn't want you softening a poem now, would we? I'm glad I re-read your explanation, as I was going to point out a little stumble... but, it's intentional, so never mind. ~Jess K. ----------------------- "Flying so high, trying to remember How many cigarettes did I bring along? When I get down, I'll jump in a taxi-cab Driving through London-town to cry you a song..." - Jethro Tull
deelilah

deelilah

16 years 11 months ago

Hello Pugilist

I did enjoy this. I only wish I had read your notes before counting every single syllable in every single line first, finding myself intrigued and impressed with 13 syllable meter, which seemed to work for you, very well. I think the couplet rhyme scheme may be the reason it moved along so nicely, long metered lines often tending towards a prose feel; here the long line offset the sing-song rhyme, and vice versa. I think Rudyard Kipling did a little of this--I'll have to go back and check. I know he was known for those long lines. I actually cheered the subject matter, though you have offered it as tongue in cheek. When I read it, I was sure you were writing to the news media. The truth hurts. Yours, Deelilah
Jonathan Moore

Jonathan Moore

16 years 11 months ago

Thanks

I have to say, when it come to poetry, I am a structure geek and though I am most comfortable in a tetrameter, I do like to mix things up a bit. Thanks for the comments. --Jonathan Annoying the world, one person at a time (Group discounts available)