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15 West

key smoothly turns,
the hand pours weight on to the mansion door
wearing cruel paint over precise filigree,

up the shaking tenementified stairs,
a squeak from the third balustrade,
the meek bark from the landlady's Maltese,
vinyl opera from rent controlled $480 a month apartment two,
a light feminine cough from three,

up another flight, barely past four,
the scientologist, a bark, a wild secret cluck,
allegedly from an ordinary parrot?,
it’s moving— the door jerks open against a chain,
an eye peeps out,
rushing rush,
no interrogation today!
blazing five, today the typical blaring notes of Toots Hibbert 
have fermented into silent hangover,

skipping the loose linoleum tread,
past elegant six,
with the glorious dazzle gasolier, the fine moldings—
perhaps can it be negotiated to $2500? vacant another month
breathing, finally past seven,
the door slightly ajar for no worthy reason,
a strange musty green glow,

finally, the sixth landing,
the balustrade creaking with indignity,
the lined light from the caged skylight slaps
closed with the stern authority of the
metal swing twang firedoor,
here, apartment 10½,
the key jams into upside-down deadbolt lock,
left, left, right,
a little tweak,
a better angle,
weight shift,
push, crack, jam,
finally turning,
opening into darkness,
a slight beam of light,
the long distance traveler from the sun
finally bounces off dark stone,
squeezing around the curtain to join me here,
weakly filling the small room,
revealing slapdash paint coating fine molding,
a 1962 abstraction rescued from the street
unsorted mail, torn furniture,
underappreciated, rented, capitalized,
yielding monthly value with
no pretense of the former gilded elegance,
the lamp turns, click, snaps on,
revealing more, light thrown at 120 Hertz
by the force of Queens power grid coal combustion,
wavelengths tangle with the stained yellow shade,
the door, closed,
locks against the dark threat of intrusion,
heavy breath,
a slight lightness from the climb,
sitting down now, thinking,
tapping electronic thoughts,
blocking out now the extraneous-- the siren, the wind-- 
the mind, focusing, advancing, striking,
engaging more pressing matters than ambient thoughts

the long distance traveler from the sun
finally bounces off dark stone,
squeezing around the curtain to join me here,
weakly filling the small room,
revealing slapdash paint coating fine molding,
underappreciated, rented, capitalized,
yielding regular paper transactions of some value with
no pretense of the former gilded elegance,
the lamp turns, click, snaps on,
revealing more, light thrown at 120 Hertz by
the force of Queens power grid coal combustion,
wavelengths tangle with the stained yellow shade,
is that, yes—a tear?
a thought about perhaps reuniting the unframed rescued
1962 abstraction with the street—
the door, closed, locks against
the dark threat of intrusion, heavy breath,
a slight lightness from the climb,
sitting down now, thinking,
tapping electronic thoughts,
don’t hear the siren, the honk, the wind,
the mind, focusing, advancing, striking,
engaging more pressing matters than ambient thoughts
— andrew, Mar 22, 2009

About This Poem

About the Author

Country/Region: USA

Favorite Poets: Edgar Allen Poe, William Butler Yeats, Robert Frost, Maya Angelou, Henry David Thoreau

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Critiques

Rett

Rett

17 years 2 months ago

Andrew

All in all, a fine piece, but I do have some problems with it. It is very descriptive, but from this point on the lines got a little to long to suit an easy read. the long distance traveler from the sun finally bounces off dark stone, squeezing around the curtain to join me here, weakly filling the small room, revealing slapdash paint coating fine molding, underappreciated, rented, capitalized, yielding regular paper transactions of some value with no pretense of the former gilded elegance, the lamp turns, click, snaps on, revealing more, light thrown at 120 Hertz by the force of Queens power grid coal combustion, wavelengths tangle with the stained yellow shade, is that, yes—a tear? a thought about perhaps reuniting the unframed rescued 1962 abstraction with the street— the door, closed, locks against the dark threat of intrusion, heavy breath, a slight lightness from the climb, sitting down now, thinking, tapping electronic thoughts, don’t hear the siren, the honk, the wind, the mind, focusing, advancing, striking, engaging more pressing matters than ambient thoughts I would break it up like this.... the long distance traveler from the sun finally bounces off dark stone, squeezing around the curtain to join me here, weakly filling the small room, revealing slapdash paint coating fine molding, underappreciated, rented, capitalized, yielding regular paper transactions of some value with no pretense of the former gilded elegance, the lamp turns, click, snaps on, revealing more, light thrown at 120 Hertz by the force of Queens power grid coal combustion, wavelengths tangle with the stained yellow shade, is that, yes—a tear? a thought about perhaps reuniting the unframed rescued 1962 abstraction with the street— the door, closed, locks against the dark threat of intrusion, heavy breath, a slight lightness from the climb, sitting down now, thinking, tapping electronic thoughts, don’t hear the siren, the honk, the wind, the mind, focusing, advancing, striking, engaging more pressing matters than ambient thoughts Just a thought sir. Take it with two aspirins and call me in the morning. *LOL* Thoroughly enjoyable! OOPS!, my bad, just read it was a draft. Please distregard the above! Sorry! Respectfully, Rett: "A Democracy can withstand anything but Democrats." Robert A. Heinlein For the sake of children, read this. http://www.neopoet.com/node/19905
O

orgami

17 years 2 months ago

Lenghty poem but then...

I read it like this only every other second line and it becomes a new poem or a different poem finish and start over reading down second line skip third catch four and so on its like a storyboard with everything needing notations probably like the grid for neopoet I love the details but movement can be incorporated I abstracted my writing so much down to the barren its not as heavy this way but I still love how your lines start and end as seperate entities layered like blueprints like onion paper translucent and flowing I still like the way I read this and it still makes for a poem!! still a a great poem
Janice Pearce

Janice Pearce

17 years 1 month ago

15 West

With all due respect, I felt the repetition of some lines took away from the piece. Just my opinion. This could be tightened up a bit. A lot of interesting detail and an enjoyable read. ______________________________________________________ Income-tax forms should be more realistic by allowing the taxpayer to list "Uncle Sam" as a dependent Anonymous
O

orgami

17 years 1 month ago

Slower now like enjoying yellowstone at thirty five m.p.h.

Imperial Gallons and nickle plated chrome bumpers I slowed my brain because Im in a slow mo frame of read and I enjoyed this much much more Andrew I love a new band called WHITE LIES they have a song for DAVID LYNCHS new project I think or it looks like it anyway Very cool weird video art stuff for sure anyway as I read this I thought about the old apartments I'd visited the ones that seem to have hardly any tenants like temples of the abandoned reminds me of movies of days gone by when there didnt have to be the shock wave every five minutes when suspense meant something when details were described in anthropological seduction (Like me reading the latest HOME DEPOT cataloug sweet and delicious eye candy of designer decadance) like U Tube renditions of TITANTIC tours from Microsoft ship simulator 2008 LIke my BF-109 aircraft and B-24 High Definition clips from SIM games complete with music of the era LIke Siouxsie and the Banshees music I'm listening too right now I love her now aged and worn Rich texture of sight your poem such a difference a different time a different moment makes.......
Nordic cloud

Nordic cloud

16 years 11 months ago

I enjoyed the laid back

I enjoyed the laid back continuity of this poem, quietly advancing and reaching the nowhere of where one lives, the sun deigning to make a visit in the end. Quite a film as Orgami says, and the idea would make a short film-poem of a very interesting kind I think. Yours Ann of Norway
Hooded Stranger

Hooded Stranger

16 years 9 months ago

Structure

I do not believe there should be a formal structure to poetry...if it becomes a song then structure is much more important...this superb piece kept me intrigued and I liked the lack of structure. Great description and one of favourite pieces I have read on this forum - nice work! Kindest regards, HS
Mark

Mark

16 years 3 months ago

I learn

filigree - this must be an old mansion. tenementified - old mansion made into appartment or suites or flats, or combinations of (may this be a fraternity?) balustrade - a landing with rail and posts perhaps or infact the fourth floor Maltese - language of Malta Toots is a cool and physical rasta ... Too bad about the hangover lol gasolier - a gas lit chandelier (I may have been spooked) Just unfamiliar words to me Andrew (except Toots), no biggy Pacing was fine on my first reading. Those old homes can be real bueaties when fixed up but ya lose an arm and a leg. Personally at this point I would leave. Imagine luggng groceries up there? It even sounds like two gallons of milk may cave it all in lol Regards, Mark "I do not walk the earth and eat out of dumpsters, I'm not a bum, I'm beat."