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That Perfect Summer

I remember a fair July
And the bleak anticipation
And the day's plan going awry
And hints of annihilation
And as we tread from home to wood,
No more than ninety yards away,
From a distance, I understood,
That everything would change today.

Images played across my mind
Like a kaleidoscope of fear.
I found that loathing intertwined
With lurid thoughts from year to year
And in a sharp fearful descent                          
And a dreaded recollection
I relived the searing torment
And the chilling desperation.

"Could I be an actor?" he asked,
As a placid explanation.
For no one else saw him unmasked,
Or had heard our conversation
Where the burner was calmly set
And the pendant I'd worn destroyed.
But I did not mistake the threat;
It was a game that he enjoyed.

"Let me in," he tranquilly said
After I shut and locked the door.
I braced my feet and legs instead
And didn't listen anymore
As false calm cracked and slipped to rage
And wood shrieked against his fury;
I fell asleep locked in that cage
Agonized by shame and worry

"Don't run from me" he softly spoke
And I noticed his temper rise.
You never knew what would provoke
And I choked back my dismal cries.
Later I stood there silently
As my father made the repairs;
My brother told an easy lie,
Not that he'd thrown me down the stairs.

"Get up!" he screamed with rabid joy,
As I cowered upon the snow,
It was a treacherous decoy,
Followed by a staggering blow
He broke another square of ice,
And shattered it against my back,
He was always very precise,
Whenever he chose to attack.

"He ran away," was said to me,
As he returned without a care,
And ached to hear my tearful plea,
And wallow in my stark despair.
My kid brother had gone with him,
Was bound and gagged and left to die;
Returned later timid and grim,
That look took years to leave his eye.

"It's so cool" he trembled with glee
And loaded the rocket with mice
And waited for us to agree
And chuckled at us once or twice
And then he set it on the stand
And launched it with a carnal sigh
And when returned, took it in hand,
Death fallen from a bright blue sky.

I paused my step, a twelve year old,
Recalling terrors last to first
And waited for this to unfold
As if each step had been rehearsed.
My brother was a force of hate,
Through seventeen he'd cast a pall,
The horrors that he could create
Were devastating to us all.

And then we stopped before the wood
In contemplation of the scene
Discerning shapes now understood
My brother would not see eighteen,
And there amongst the summer day,
As we were led into the shade,
His lifeless body on display,
And I no longer was afraid.
— Pugilist, Apr 17, 2008

About This Poem

About the Author

Region, Country: Jacksonville area, FL, USA, USA

Favorite Poets: Keats, Kipling, Carroll, Yeats, Tolkien, Shakespeare

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Critiques

Candlewitch

Candlewitch

18 years 1 month ago

Oh my gosh…I had to read

Oh my gosh...I had to read it twice, for I couldn't believe what I was reading. I thought my mind must be deceiving me. Such atrocities performed... I am thoroughly moved to shock and tears. I am so sorry! Always, Cat
P

purplemoondoll

18 years 1 month ago

True poetry. Like Cat I had

True poetry. Like Cat I had to read this twice . The story hit hard. The flow and rhythm were spot on for me and maintained a low and steady pace so I could fully appreciate the content. You 'took me there'. Stunning work my friend. Like Cat I am sorry it happened to you. Kaz It's impossible to smile on the outside without feeling better on the inside.
Jonathan Moore

Jonathan Moore

18 years 1 month ago

Thanks both of you for the comments.

I struggled when I wrote this with how to present everything. None of it is a secret to people who know me but it's not a pleasant story. I finally decided to go with a simple meter and rhyme and to alternate my brother's voice with my reaction as I remember it. I believed it best represented how I, as a child from 6 - 12, experienced these things. I also decided to allude to the most disturbing things rather than directly describe them, trusting the reader to fill in the blanks more horrifically than I ever could. I was trying to capture the surreal nature of the entire situation and felt casting the story in an understated rhyme added to the "what the hell"ness I was trying to convey. Of course, my brother's actions began long before I was six, but I had to stop somewhere because the piece can be fatiguing to read and so I picked six (6) incidents from approximately six (6) different years that demonstrated his progression from a mean spirited bully to a dangerous sociopath. As an aside, when I relate this information about my damaged brother, people always want to know where my parents were, why they did not stop his actions against us younger siblings. My parents had no idea what was going on. Hell, not even my eldest brother (just 18 months older than Greg) had a clue that this stuff was happening. Oh they knew that Greg had a temper but we were all too afraid to say anything to anyone. Also, we were five boys in the 60's, we were always fighting about something and Greg used this and other things as a mask and a chameleon's cloak. He could be quite charming and knew how to play the victim, like any accomplished sociopath. That's my conclusion, not a medical diagnosis. And I'll never deny that these experiences have helped shaped all of us. My middle brother decided to embrace being a victim. My younger brother and I decided to take different routes and have good and successful lives. One of the results of this in my personality is glaringly obvious. I despise bullies. Whenever folks question as to why I am so immediate and thorough in my reaction to bullies, I ask them if they'd like to hear a story. --Jonathan Annoying the world, one person at a time (Group discounts available)
D

DarkinAZ

18 years 1 month ago

Wow,

I do not know if I fully understand it yet? .....Information overload. This is a awesome write, Jonathan! "annoying the world, one person at a time" Not with this one! Great job, Mark
Candlewitch

Candlewitch

18 years 1 month ago

Jonathan

Thank you so much for the story behind this poem. I can empathize completely. My (middle) sister is a sociopath and she had a field day with me, the youngest. My mother never seemed to notice my bruises and cuts. But she was always mom's favorite child. I could take the physical, but the psychological damage is here with me still. But I choose not to be a victim. You are a very strong person to have turned out as you did. Thank you for sharing. Always, Cat
themoonman

themoonman

18 years 1 month ago

Hi Pugilist..

this is one powerful write.. structured and full of real passion.. thank you for sharing the poem and this part of your life.. well written..enjoyed the read. Richard
A

Amaranthine

18 years 1 month ago

Shaping Our Lives

This was a powerful work and its darkness was intensified by the fact it is based on your own personal experiences. I can certainly understand why you are a quickdraw when faced with a bully after what you have been through. This is such a personal piece, I don't feel it is appropriate to pick it apart for technical things...but I did want to let you know - it left its mark upon my mind and I feel your voice is very distinctive. I look forward to reading more from you and hopefully, your past has a multitude of glorious moments to counter-balance the hardships you have endured.
Jonathan Moore

Jonathan Moore

18 years 1 month ago

Thanks for the kind words

but I would ask, and if required, beg, you to offer critique be it technical, stylistic, word use, etc. This is a fresh piece for me, written in just a couple of days earlier this week and revised a bit this morning to smooth out rough areas I spotted. I don't consider any work of mine ever complete so I will be happy to review and modify this. If you or others have suggestions, I would love to hear them. Granted, I may not use them, but I will entertain any thoughtful critique in the manner in which it is offered. As an aside, I have to say, my experiences are a foundation of but not an excuse for why I act the way I do and I am under no illusion that I can compare my experiences like a scorecard against another's. All in all I have led a fortunate life. My parents where supportive and understanding, firm as required, and gave me the tools I needed to grow into a responsible adult. I have two (2) exceptional sons, a career in which I am well respected, and hobbies and talents that are a source of constant enjoyment. Everyone has had a hard life and if we are to compare for purposes of who gets to wear the pity hat, everybody loses. It's why a principle part of my outlook at life is the following: "Everything works out and then you make the best of it or not; you're choice." It's not a case of "when life hands you lemons, make lemonade" optimism, it's a case of "when life hand you lemons, sell them and get something you actually want" pragmatism. Yes, I know, I have a tender to lecture. --Jonathan Annoying the world, one person at a time (Group discounts available)
Candlewitch

Candlewitch

18 years 1 month ago

As Richard says: This piece

As Richard says: This piece is well structured. I love the way it is put together and the rhythm flows well. I have no suggestions as I think it is great as it is. Always, Cat
W

warpzone

18 years 1 month ago

Wow

This is amazing. What a brutal and moving and vivid story...there is nothing that could use improvement. Simply an amazing read.
S

Skumpfsklub

18 years 1 month ago

You had a lot to say, didn't you?

I can see (I think) the difficulties you had in crafting this remarkably well-done piece. There's a LOT of story here left untold, and I suppose that it was a daunting task to choose what to include and what to exclude from the series of vignettes you presented. Generally, I think you did well to limit yourself to eight lines for each incident--but I believe that you have the reader firmly and fully engaged by the fourth stanza, and that you (thereafter) have the liberty to add quatrains where you deem them useful to add color or detail to the separate incidents. That is to say, if you wanted to, you could add more lines than you originally reckoned you could get away with. In fact, I'll recommend that you do add another stanza or two, to reinforce/complement the last stanza anyway. I'm not really sure what happened. The narrative grows vague there. I'm sure someone is dead--but exactly who, and exactly how remains to me obscure. And I want to know that in detail, by then. We've touched on this before: I want 'situation and sensation' as necessary prior understandings before I tackle the poet's summary. Your poem gives me much of that--but it kind of trails off a bit at the end. ---------------- Good call on the 'square stanzas.' Excellent vehicle for narrative.
Barbara Writes

Barbara Writes

18 years 1 month ago

I too say Wow

Smiles:) Barbara I look at this a few times and shy away because long reading intimidate me. Was ready to read tonight. Took my time and was mesmerize. Great writing, brilliant imagery, perfect flow, not one stumble. That perfect summer seems to mean being afraid was no more. If I have it right. The end left questions unanswered, but did not affect the story flow from start to finish at all. Spotlight!! This is poetry at its finest. It was like watching a movie flick.
RSScheerer

RSScheerer

18 years 1 month ago

Jonathan

Your tactic of approaching this with a direct style and distinct pattern works well. By alluding to the horrible acts without graphic detail, you allow your reader's shock to gradually build into horror. Once the realization of truth settles into the mind, this is an emotional battlefield as your reader struggles with disbelief, sympathy (empathy for some), anger, and tentative relief by the time the last line is read. I say tentative because no one can assume that the boy who survived this has not been scarred in some way, and a reader's regret would be that this was ever endured at all. The only thing that I may find lacking here is the emotion of the author. While the simplicity of metre and rhyme succeeds in technique, it also offers a disconnection from the display of emotion. This could be intentional; after all, reliving it is difficult enough without hashing out the emotional aspect again and again. However, the straightforward method and style seem to indicate a cool displacement from the situation. As I mentioned, this could very well be a method of self-preservation when writing about this subject. All in all, a vivid piece which evokes plenty of emotion in the reader. Perhaps that is enough to compensate by placing them where you were back then - this you have accomplished. Best, Ronda
Jonathan Moore

Jonathan Moore

18 years 1 month ago

Thanks for the additional comments

I will take a look at more fully explaining the resolution of the poem. I can see how another stanza at the end can be of value. I will probably separate out the first and second half of the last stanza into two (2) separate stanza so as to preserve the last couplet as the ending. The added emotion will be a tougher review. I hope the added stanza can aid in setting the tone there but will have to wait and see. Again, I want to thank everyone for their comments and suggestions. This is the reason I so enjoy Neopoet. I can get my work challenged and critiqued in a thoughtful and professional manner and can work to make it stronger. --Jonathan Annoying the world, one person at a time (Group discounts available)
Jonathan Moore

Jonathan Moore

18 years 1 month ago

Thanks everyone

For the comments and suggestions. I have broken the what was stanza 9 in two and kept the beginning as the new stanza 9's intro and the end as the end of stanza 10. It does add a certain symmetry to the poem and, I believe, addresses exactly what happened without going so far as to be obvious. I also tried to allude to the emotional state of myself as a 12 year old though I realise for many it still may not be enough. Again, thanks for the insight and the suggestions. --Jonathan Annoying the world, one person at a time (Group discounts available)
S

Skumpfsklub

18 years 1 month ago

Good enough; stop work; you're done here

That's what I wanted, Jonathan. Nice patch, no seam. The emotionality of the piece is meet with 'Pugilist.' Not flat, but not gushy, either; some of yourself remains private. Okay with me. I don't talk about . . . well, I, er, uh . . . hmm, I suppose you'll just have to guess, won't you? Apropos of little, I would skip over a similar tale told by 'MeanPeopleSuck.' I admit to having some online prejudices. Perry