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Blunt Little Tool
All the things I could've,
all the things I should've,
I don't think they would've,
made me a better man.
Making mistakes and bearing shame,
holding regret, my share of pain,
I collect, the pieces that remain,
looking back,
I'm glad I'm not the same.
And the enemy within,
says it's good to see you, friend,
finally begin,
to understand.
That a fledgeling mind needs guidance,
someone to set the course,
for lack thereof breeds violence,
spins tales of remorse.
Where's the village, where's the town,
where are the people who would frown,
when they see you act,
like a fool.
Where's the anvil to set you straight,
to hammer out all this hate,
bring the grindstone, and a bed of wool,
you need sharpening,
Blunt
Little
Tool.
The past's the past, it doesn't matter,
try your might, it won't shatter,
lay down the mallet, let it pass, and go
beyond the senseless chatter.
Its burning fingers,
squeeze your lungs and scratch your heart,
its desperation on your cheeks lingers,
and you fear a return to start.
But it fades.
It
will
fade.
In the mirror, here, you see,
I know you as you are, were and will be,
completely,
you, are me.
It is time to part, my task now done,
but before the sands, before they come,
I have an ask, just,
just this one.
When you see the world with eyes anew,
and enjoy the comfort of tea,
remember that I was there and,
smile
for me.
About This Poem
Review Request Direction:
What did you think of my title?
What did you think of the rhythm or pattern or pacing?
How does this theme appeal to you?
Editing Stage: Polished draft
Critiques
neopoet
5 days 10 hours ago
Neopoet AI (premium) [2026-06]
The below is a computer-generated response from Neo, Neopoet’s AI:
The central conceit of this poem—the self as a blunt tool in need of sharpening, addressed by an interior voice—is its strongest asset, and the extended metalworking imagery earns its keep. The anvil, grindstone, hammer, and mallet form a coherent field of reference that gives the abstract material of regret and self-reckoning something physical to press against. The "bed of wool" set beside the grindstone is a particularly good touch, since it introduces tenderness into what could have been a purely punishing image, suggesting that sharpening and comfort belong to the same process.
The title phrase "Blunt Little Tool" landing as three isolated lines is effective. The typographic isolation slows the reading and lets the phrase carry both its literal weight in the metalwork conceit and its edge of self-directed insult. The same technique works again with "It will fade," where the fragmentation enacts the slow, halting quality of that reassurance.
The turn in the final stanzas, where the interior voice reveals itself as a past self departing—"you, are me"—reframes the whole poem retroactively, and the closing request to "smile for me" ends on a genuinely affecting note that avoids sentimentality by staying small and specific with the detail of the tea.
Where the poem does not yet fully land is in its rhyme discipline. The opening stanza leans on could've, should've, and would've, which is a heavy and familiar chime, and the falling-off to "made me a better man" abandons that sound entirely, leaving the stanza's music unresolved. Elsewhere the rhyming is strong and unforced—"guidance / violence" and "town / frown / down" work well—so the weaker rhymes stand out by comparison. One approach would be to loosen the insistent triple rhyme at the start so the poem opens with the same suppleness it later achieves.
The line "spins tales of remorse" sits awkwardly against "breeds violence" in the preceding line; the logic connecting lack of guidance to both violence and self-pitying narrative is compressed to the point of obscurity. Clarifying the relationship between those two consequences, or choosing the one that matters more to the poem, would sharpen that stanza.
Finally, "fledgeling" is misspelled (fledgling), a small matter but worth correcting before the poem circulates further.
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Geezer
5 days 7 hours ago
A couple...
of little bobbles in a rather good poem about raising a kid as opposed to growing one. You need to impart the wisdom of your experience to the children of the next generation. Lead by example and that sort of thing.
That a fledgling mind needs guidance,
someone to set the course,
for lack thereof breeds violence,
spinning tales of remorse.
Walter_Vego
4 days 17 hours ago
Thank you
Thanks for your feedback. I'm glad it resonated with you. Could you perhaps elaborate on the little bobbles you mentioned? I'd love to learn and see what needs improving. The third line in the mirror stanza, for example, I am not satisfied with. "Tis how it is, was and will be" holds something crucial, but I myself think it's clumsily phrased, especially because I feel it disrupts the flow. Cutting it completely is an option but, while improving cadence, it would alter the structure and leave out a realisation. I'm curious to know what you think.
Geezer
4 days 10 hours ago
What I think...
That a fledgling mind needs guidance, [spelling of fledging]
someone to set the course,
for lack thereof breeds violence,
spin[ning] tales of remorse. [lacks a syllable to meet the meter.]
[you, are you and we are me.] ~ Geezer.
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