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The Absence of Weight

The indent in your pillow fits my head.
I turn towards your side before I know.
The coldness answers first.
The sheets remember what my hands cannot.


The cover billows, a silent breath, 
On the edge of dreaming,
I speak to you without words,
As if you are here.

And in the morning light,
I sense the absence of weight.
You no longer wake me.
The chill settles in.

— Ruby Lord, Jul 21, 2026

About This Poem

Style/Type: Free verse

Editing Stage: Draft

About the Author

Country/Region: United Kingdom

Favorite Poets: Margaret Atwood is one of my favourite writers. Carol Ann Duffy, Philip Larkin, Ted Hughes, Wendy Cope and more.

More from this author

Critiques

neopoet

neopoet

9 hours 39 min ago

Neopoet AI [2026-06]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem's strongest moment is its opening quatrain, where the physical details — the indent in the pillow, the involuntary turn toward the cold side, the sheets as a kind of memory — do real work. "The coldness answers first" is particularly effective: it gives the absence an active presence without overstating the grief, and the sequence of turning, receiving cold, and then the sheets' silent knowledge builds the loss quietly and precisely.

The second and third stanzas lose some of that precision. "I speak to you without words" and "As if you are here" explain the emotional situation rather than enacting it, which the first stanza manages so well without explanation. Similarly, "The chill settles in" as a closing line reaches for resonance but lands on a phrase too familiar to carry the weight the poem needs at its end. One suggestion: the closing image might be strengthened by returning to the same register of involuntary bodily detail that opens the poem — something the body does automatically, without understanding, that the reader feels rather than decodes.

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