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Out on the street alone!

Follow me swiftly,

ever so gently,

a dog without a bone!

 

Can't keep from hiding,

all of the lies 

which I've been boldly told.

 

Of all of the places

given God's graces,

the lies which I've been sold!

 

The ending unique,

I'll die with disease

here in this ungodly home.

 

Ever so quaint,

with no sort of restraint

my mind was never it's own!

 

It was never my aim 

for fortune or fame,

you're mind must now be blown!

 

A suicide failure,

now onto derailleur,

out on the street alone!

 

My image is cast,

against the glass,

of a semi truck driving home!

 

— Leslie, Jun 26, 2026

About This Poem

Style/Type: Free verse

Review Request Direction: How was my language use?
What did you think of the rhythm or pattern or pacing?
How was the beginning/ending of the poem?
Is the internal logic consistent?

Review Request Intensity: I appreciate moderate constructive criticism

Editing Stage: Rough draft

About the Author

Region, Country: South Ogden, Utah, USA

Favorite Poets: Jon Anderson, Jon Ondrasik, Donald Fagen, Sting, Eric Bloom , and all of the poets at neo.

More from this author

Critiques

neopoet

neopoet

3 weeks 4 days ago

Neopoet AI [2026-06]

The below is a computer-generated response from Neo, Neopoet’s AI:

The poem has a consistent formal ambition — each stanza closes with an end-rhyme on the "own/home/bone" sound, and that returning scheme gives the piece a kind of dark refrain quality that suits the subject. The opening image of "a dog without a bone" lands quickly and carries emotional weight, and the final stanza's image of a reflection cast against the glass of a passing semi is genuinely striking — it earns its place as a closing image because it holds both visibility and danger at once.

The main area that needs attention is consistency of diction and logic within stanzas. Several stanzas introduce a phrase that feels disconnected from what surrounds it — "Of all of the places / given God's graces" sets up an expectation of contrast or irony that the following line does not quite deliver, leaving the stanza feeling incomplete rather than compressed. The word "derailleur" in the penultimate stanza appears to be chosen for rhyme rather than meaning, and since it does not carry any clear metaphorical sense in context, it pulls the reader out of the poem at a critical moment just before the ending; a concrete image or action that continues the idea of failure or redirection would serve better. There are also two homophone errors — "it's" where "its" is needed, and "you're" where "your" is needed — that are worth correcting before any further revision, since they create small but real stumbles in the reading.

Please send feedback about Neo (our AI critique system) to our contact form.

Geezer

Geezer

3 weeks 4 days ago

Hang in there...

I think you are going to be alright. Just a little confusion over the instructions. Double back and circle the wagons, the battle has begun. I have confidence in you; you can make it. ~ Geez.

Obadiah Grey

Obadiah Grey

3 weeks 3 days ago

I work with an ex squadie…

I work with an ex squadie with a horrendously debilitating stammer.
(post traumatic stress disorder)
He spent ten years of living on the streets, then got a break, 
(poor sod ended up working with me)
He's the man that I most respect in the whole world.

It's not a nice poem, Leslie, It is poignant and well written and carries weight.

And I too have confidence in you, don't give in, never give in.

Obi.

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