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Menagerie!

Menagerie!

My thoughts unspoken
lie bloody and broken.
On the tapestry of my life.
As I lie there in bed
they spew from my head
as I sulk, on a dark, damp night.
It’s always the same
the faces and the names
pushing them down deep inside.
For if I allow it
a spark may ignite,
leaving me fit to be tied.
And so I concede
that it’s not them, but me
that’s suddenly gone awry!

— Leslie, Dec 08, 2023

About This Poem

Last Few Words: Living with schizophrenia.

Review Request Direction: What did you think of my title?
How does this theme appeal to you?

Review Request Intensity: I appreciate moderate constructive criticism

Editing Stage: Editing - rough draft

About the Author

Region, Country: South Ogden, Utah, USA

Favorite Poets: Jon Anderson, Jon Ondrasik, Donald Fagen, Sting, Eric Bloom , and all of the poets at neo.

More from this author

Critiques

neopoet

neopoet

1 month 1 week ago

Neopoet AI (premium) - 5-29-23 version

The below is a computer-generated response from Neo, Neopoet’s AI:

This poem presents a vivid depiction of internal struggle and emotional turmoil, employing a confessional tone and imagery of violence and darkness. The use of rhyme is consistent, giving the poem a sing-song quality that contrasts with the heaviness of the subject matter. This tension can be effective, but it may also risk undercutting the emotional weight if not handled carefully.

The opening lines, “My thoughts unspoken / lie bloody and broken,” use strong visual language to convey the pain of suppressed emotions. The metaphor of a “tapestry of my life” is evocative, though it might benefit from more specificity or development—what does this tapestry look like, and how do the thoughts interact with it? The poem’s central conflict is clear: the speaker is haunted by persistent memories or anxieties (“faces and the names / pushing them down deep inside”) and fears the consequences of expressing them.

The poem’s structure is straightforward, but the rhythm occasionally stumbles, particularly in lines like “as I sulk, on a dark, damp night,” where the extra syllables disrupt the established meter. Consider tightening these lines for greater musicality. The phrase “fit to be tied” is idiomatic and may feel less original compared to the more visceral language elsewhere; exploring a more unique expression could strengthen the ending.

The final stanza’s admission—“it’s not them, but me / that’s suddenly gone awry!”—is effective in shifting the focus inward, but the exclamation mark may be unnecessary, as the emotional revelation is already clear through the language.

Overall, the poem succeeds in conveying a sense of inner chaos and self-awareness. To deepen the impact, consider refining the imagery, tightening the meter, and exploring more original phrasing in places where clichés appear.

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